That is the $64,000 question. I have been talking and talking and talking to people in all aspects of the art world and the question comes back to "what do I do next? I guess the best place to start with that is to list where I don't believe I can go next. Harry Callahan said "...a good man knows his limitations" and whereas my jaw is nowhere as sharp not my gaze even close to being as STEELY I think that is a good place to start.


So where do I go from here? - Episode 1
1) The chances of finding just a "production" gig, beyond those I can grab up freelance from past clients and friends who need a hand. Far too many young impressionable faces all too ready to be devoured by the machine. They will live at their desks, work for almost nothing and forgo everything that is good and holy in this world. It is like trying to get a job eating brains when the Zombies are pounding on the door, wave upon wave of willing art zombies. Additionally they will know all the latest (and hippest) brian eating styles. They will know which tools are best suited for fully extracting the subtle nuances from grey matter.

"All we want to do is make your game! We're not unreasonable I mean no one's gonna ask you why?"